The Art of Mata Ortiz in the Twenty-first Century

Download or read book The Art of Mata Ortiz in the Twenty-first Century written by Susan L. Pinkerton and published by . This book was released on 2014 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the work of select second generation Mata Ortiz artists to determine if there are differences from the first generation, and if so, what factors have promoted stylistic and technical innovations among second generation Mata Ortiz artists. Stylistic innovation studied included the use of new forms and designs; technical innovation included the use of new techniques and materials. In looking at factors related to the innovation in the work of second generation Mata Ortiz artists, the three theoretical areas of cultural drift, patronage, and motivation were considered. The research questions that drove this study are: How is the work of the second generation artists of Mata Ortiz different from the first generation artists in terms of form and design?; What intrinsic factors motivate second generation artists of Mata Ortiz to create new and innovative designs?; And lastly, what extrinsic factors motivate second generation artists of Mata Ortiz to create a new and innovative designs? Background information is given on the history of Mata Ortiz art. Information on Casas Grandes, Paquimé, and Juan Quezada provides context for the stylistic analysis of first and second generation Mata Ortiz art which is presented in chapter three. Over the last fifty years, Mata Ortiz ceramic art has developed from making replicas of Casas Grandes pottery to the numerous individual styles and creativity we see today. The stylistic innovations of Laura Bugarini and Héctor Gallegos, Jr. are highlighted. New techniques being used by Eli Navarrete Ortiz and Diego Valles, and new materials such as bronze being used by Martin Cota, are also covered. Within the pieces presented, differences can be identified, but it is difficult to make generalities because stylistic and technical innovation spans both generations, so the lines are sometimes blurred. Insight into some of the possible reasons for the stylistic innovation and artistic development that is seen in the art of Mata Ortiz is presented. This includes autonomous change and the role of patrons, collectors, and traders. Identifiable intrinsic and extrinsic factors that may have an impact on motivating the artists to create new and innovative designs and techniques are also summarized.