A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972

A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972
Author :
Publisher :
Total Pages : 103
Release :
ISBN-10 : 1980737835
ISBN-13 : 9781980737834
Rating : 4/5 (834 Downloads)

Book Synopsis A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972 by : Ming-Jui Liu

Download or read book A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972 written by Ming-Jui Liu and published by . This book was released on 2018-04-22 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: A set of two transcriptions based on Vivaldi's Concerto No.9 in D major for solo violin and strings, RV 230, and Bach's harpsichord transcription of it, BWV 972: 1) two guitars and a string quartet, 2) guitar duo. RV 230/BWV 972 has been transcribed to many instrumental settings; however, a version for two guitars and a string quartet is rare, and it adds a new dimension to guitar transcriptions of this work. With the use of this instrumentation, we are able to keep Bach's ideas within the concerto grosso format. That is to say, Bach's additions in his transcription can be realized in a concerto setting with guitar soloists and a string quartet, such that there is an exchange of instrumentation between the tutti and solo passages.Although many guitarists have played lute concertos, such as Vivaldi's Lute Concerto in D major, RV 93, a performance of a concerto grosso piece is not common. The present transcriptions further expand the guitar repertoire of the Baroque concerto grosso form, and they make an important contribution to showing the breadth of the guitar repertoire."Congratulations to Ming-Jui Liu with this important contribution to the duo guitar concerto repertoire. This little known transcription by Bach of a concerto by Vivaldi fits the duo guitar ensemble perfectly. Ming-Jui Liu's transcription sounds natural and is a good fit with a Baroque orchestra." - Jerry Willard, Guitar Professor at Stony Brook University"This transcription of the Concerto in D for 2 guitars and string quartet by Vivaldi/Bach is a welcome addition to the guitar duet repertoire. Rarely do we guitarists get to perform a masterwork such as this in an ensemblesetting. The transcription is a fine balance of careful scholarship and artistic imagination. Bravo Ming Jui-Liu!" - Kevin Gallagher, World Renown Guitarist


A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972 Related Books

A. Vivaldi/J. S. Bach: Concerto in D Major, RV 230/BWV 972
Language: en
Pages: 103
Authors: Ming-Jui Liu
Categories:
Type: BOOK - Published: 2018-04-22 - Publisher:

DOWNLOAD EBOOK

A set of two transcriptions based on Vivaldi's Concerto No.9 in D major for solo violin and strings, RV 230, and Bach's harpsichord transcription of it, BWV 972
The Neuroscience of Bach’s Music
Language: en
Pages: 372
Authors: Eric Altschuler
Categories: Psychology
Type: BOOK - Published: 2024-02-07 - Publisher: Elsevier

DOWNLOAD EBOOK

The Neuroscience of Bach’s Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach’s music through t
Bach-Vivaldi Concerto, Bwv 972 and Op. 3, No. 9, Rv230: Score & Parts
Language: en
Pages: 0
Authors:
Categories: Music
Type: BOOK - Published: 2011-08 - Publisher: Eighth Note Publications

DOWNLOAD EBOOK

J. S. Bach adapted several works by Vivaldi---this particular transcription was originally for solo violin and string orchestra. The brilliant showy solo line i
Fascist Directive: Ezra Pound and Italian Cultural Nationalism
Language: en
Pages: 368
Authors: Catherine E. Paul
Categories: Literary Criticism
Type: BOOK - Published: 2016-06-21 - Publisher: Liverpool University Press

DOWNLOAD EBOOK

By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how
Experiencing the Violin Concerto
Language: en
Pages: 205
Authors: Franco Sciannameo
Categories: Music
Type: BOOK - Published: 2016-08-04 - Publisher: Rowman & Littlefield

DOWNLOAD EBOOK

Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an o