A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision

This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book

Korean cinema was virtually unavailable to the West during the Japanese colonial period (1910-1945), and no film made before 1943 has been recovered even though

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making

Chinese National Cinema, written for students by a leading scholar, traces the formation, negotiation and problematization of the national on the Chinese screen