Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in his

Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile tran

A focused examination of German film's transformation from a national to transnational industry

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 197

A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than