-- American Studies International

In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as

In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and

On the evening of her first masquerade, shy Elizabeth Anne Fitzgerald is stunned by Tyrell de Warenne’s whispered suggestion of a midnight rendezvous in the g

Examines gender roles in contemporary foreign and Hollywood films amid changing social, political, cultural, and economic conditions.