In Spenser and Ovid, Syrithe Pugh gives the first sustained account of Ovid's presence in the Spenser canon, uncovering new evidence to reveal the thematic and

The author's predecessors focus almost exclusively on the Metamorphoses as intertext, but do not often distinguish between early modern Latin editions of the po

Marlowe was the first writer to the translate the Amores, and thus the first to make the Ovidian cursus literally his own.

These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study