"The "infrathin" was Marcel Duchamp's name for the thinnest shade of difference: that between, say, the report of a gunshot and the appearance of the bullet hol

The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Ab

Combining essays from both practice and academia, this book includes some of the most significant projects and thoughts on materiality from the last decade. Bea

What has a use in the future, unforeseeably, is radically useless now. What has an effect now is not necessarily useful if it falls through the gaps. In For a P

Translation and Repetition: Rewriting (Un)original Literature offers a new and original perspective in translation studies by considering creative repetition fr