An important collection of essays examining the intersections between Deleuzian philosophy and the arts.

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

The Desiring-Image redefines queer cinema as a kind of filmmaking that conveys sexuality and desire as fundamentally fluid for all people, exceeding familiar st

Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a c