Native sovereignty, Gerald Vizenor contends, is not possessed but expressed. It emerges not from practicing vengeful and exclusionary policies and politics, or

Native peoples today are best known through their fugitive poses: textual and graphic depictions steeped in a modernist aesthetic of romantic victimry, tragedy,

Gerald Vizenor counters the cultural notions of dominance, false representations, and simulations of absence, and, by documents, experience, and theories, secur

In this anthology, eighteen scholars discuss the themes and practices of survivance in literature, examining the legacy of Vizenor's original insights and explo

Gerald Vizenor was a journalist for the Minneapolis Tribune when he discovered that his direct ancestors were the editor and publisher of The Progress, the firs