This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially arti

Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—th

This is the first volume to focus on the diverse permutations of international surrealist cinema after the canonical interwar period. The collection features el

In a now-famous interview with François Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as "the purest expression of a cinemati

R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a co