In the California winter of 1965, Jay DeFeo was evicted from the San Francisco apartment that had become a temple for her 2000-pound colossus of a painting, The

The Rat Bastard ProtectiveÊAssociation was an inflammatory, close-knit community of artists who livedÊand worked in aÊbuilding they dubbed Painterland in the

A long overdue, comprehensive look at Jay DeFeo's career as an avant-garde artist

A remarkable portrait of a web of artistic connections, traced outward from Jay DeFeo's uniquely generative work of art Through deep archival research and nu