China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her s

In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shao

To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need t

PRODUCING INDEPENDENT 2D CHARACTER ANIMATION takes an in-depth look at the artistry and production process of cel animation in a friendly, how-to manner that ma

This book began when the author realised that, when people said they were fascinated by particular biblical passages, they were usually ones that presented dram