Eleven years of interviews with the acclaimed Chinese film director of such movies as Red Sorgham, Shanghai Triad, and Not One Less

In this first critical study of films by Zhang Yimou in English, Wendy Larson plumbs the larger field of debate to suggest thought-provoking ways of thinking ab

Essays that examine the aesthetics and the radical politics of one of Africa's greatest writers

This pivot considers key transformations within the Chinese film industry since the country opened its doors to the outside world in the late 1970s, and moved f

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to