The Ornithology of Shakespeare Critically examined, explained and illustrated - The Original Classic Edition
Author | : James Edmund Harting |
Publisher | : Emereo Publishing |
Total Pages | : 112 |
Release | : 2013-03-11 |
ISBN-10 | : 1486493572 |
ISBN-13 | : 9781486493579 |
Rating | : 4/5 (579 Downloads) |
Download or read book The Ornithology of Shakespeare Critically examined, explained and illustrated - The Original Classic Edition written by James Edmund Harting and published by Emereo Publishing. This book was released on 2013-03-11 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finally available, a high quality book of the original classic edition of The Ornithology of Shakespeare Critically examined, explained and illustrated. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by James Edmund Harting, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Ornithology of Shakespeare Critically examined, explained and illustrated in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Ornithology of Shakespeare Critically examined, explained and illustrated: Look inside the book: The birds therefore have been now divided into certain natural groups, including the foreign and domesticated species, to each of which groups a chapter has been devoted; and I have thought it desirable to give, by way of introduction, a sketch of Shakespeare’s general knowledge of natural history and acquaintance with field-sports, as bearing more or less directly on his special knowledge of Ornithology, which I propose chiefly to consider. ...The straight hair and shaven chin which are not found in other portraits having good claims to be considered authentic, and the unnaturally high forehead, which would be caused by the actor’s wearing the wig of an old man partially bald, suggest at once that when the original portrait was taken, from which Droeshout engraved, Shakespeare was dressed as if about to sustain a part in which he was thought to excel as an actor.