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Language: en
Pages: 317
Pages: 317
Type: BOOK - Published: 2015-01-05 - Publisher: Bloomsbury Publishing
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence stagin
Language: en
Pages: 317
Pages: 317
Type: BOOK - Published: 2015-01-05 - Publisher: Bloomsbury Publishing
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence stagin
Language: en
Pages: 216
Pages: 216
Type: BOOK - Published: 2013-04-01 - Publisher: Hal Leonard Corporation
(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and
Language: en
Pages: 237
Pages: 237
Type: BOOK - Published: 2012-02-06 - Publisher: Routledge
Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare’s texts on stage and screen engage with violent events
Language: en
Pages: 369
Pages: 369
Type: BOOK - Published: 2017-12-14 - Publisher: Bloomsbury Publishing
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direc