Examines the indelible images that presidents and journalists alike claim drive American foreign policy and public opinion.

Liam Kennedy here takes as his focus the ways in which selected photographers have sought to frame the activities and effects of American foreign policy, often

In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they we

How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the w