This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple

Italian baroque sculpture often has been criticized for portraying a sham world, distracting the spectator from its spiritual poverty by dazzling technical disp

Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression.

Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido

Presents 17th- and 18th-century Italian paintings from one of the world's finest collections of European art.