"Two-volume catalogue raisonne of Schoonover's entire oeuvre, from early sketches to final paintings. Chronologically organized and numbered by his daybook entr

'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects

"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the