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"In a widely researched and deeply considered book, Huerta argues that Vermeer's use of the camera obscura and other instrumental adjuncts parallels van Leeuwen
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In this interdisciplinary study drawing on the history of art and the history of science, Robert D. Huerta explores the conceptual intersections in the work of
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Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing
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The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small
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There are thirty-six illustrations."--Jacket.