This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.

This book explores collaboration, theatre practice, and Shakespeare's canon by analysing the evidence of manuscripts used in early modern playhouses.

The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, h

James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This

How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examinatio