A Handbook for Readers at the British Museum (Classic Reprint)

Download or read book A Handbook for Readers at the British Museum (Classic Reprint) written by Thomas Nichols and published by Forgotten Books. This book was released on 2017-11-25 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Handbook for Readers at the British Museum Thyo years after the royal donation, on the 15th of January 1759, by which time the preliminary arrangements were settled, the British Museum, composed of the three divisions - Printed Books, Manuscripts, and Natural History - was Opened to the public, accommodation having been provided for a small number of students. Of the original Reading-room there appear to exist no detailed accounts; but that it differed very materially in size, in general convenience, and mode Of admission to the present one, there is not the slightest doubt. Comparison, we should think, could not be drawn between them, nor, perhaps, ought it. But from what we can picture of the first national Salle de lecture we should say that it was not very unlike the little Educational Reading-room with its windows opening on a fine lawn studded with majestic elms - attached, at the present time, to the Science and Art Department at the South Kensington Museum? In the reign of James I. This library is said to have been in a flourishing condition, well stored with all sorts of good books from the beginning of printing; but in succeeding reigns it was sadly neglected, and disgracefully housed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.